Last time, we talked about some of the basic components in Mirror Blaze. Today, we’ll talk about how we combined them for the first time.

As I mentioned before, we had purchased four 4’x8′ acrylic mirrors, three single-sided, and only one double sided (as they were significantly more expensive). The designs we were thinking of involved dozens of mirrors, including one or more sets of triangle-enclosed flame effects, but we needed to test all kinds of things before settling on a design.

One of the best decisions we made was to use 4″x4″ cedar for our posts. The options were treated wood (the green-tinted wood that you see used for many outside emplacements), and cedar. We initially liked the cedar because it smelled better, but I think the fact that it was about half the weight was what decided it for us. 8′ 4″x4″ posts are not too too heavy, but when you have to stevedore them repeatedly, and pack and unpack them from the garage each time you want to do construction, each kilo saved is worth it.

This was our test of two different types of hinges. We thought to try piano hinges and T-hinges. S recalls that the piano hinges were almost flimsy, bending when we lifted them. Thinking about it, the T-hinges are designed and build for exactly what we were trying to do with them.

We also had an incident with the acrylic sometime during the early part of this test. As I recall, the first time I tried to drill holes in the acrylic, it cracked, and made the missing corner you see in the picture below. We eventually concluded that this was probably because the acrylic was too thin (our test acrylic was less than half of the thickness of the acrylic we actually used for the project), but I remained terrified of the prospect throughout the remainder of the project.

The two types of bolts used for piano hinges and T-hinges:

IIRC, we ended up drilling 1/4″ holes for the bolts.

I should probably mention at this point that we screwed the hinges into the posts, and drilled holes in the mirrors so that we could bolt the hinges to the mirrors. This worked out for testing and assembly. It worked well enough that even though we had never assembled more than about 1/4 of the project at a time before going to the Burn, it all fit together exactly once we got there. I remain proud that we accomplished this.

More geometry testing:

We had a lot of fun with the two-way mirrors. Note how clean and pristine they are here, compared with how things looked on playa.

This was our first time putting three mirrors together in a triangle. This, and the next video, were when we really started thinking that this could really work!

Our first flame test with the two-way mirror! It worked! 😀

Last time, we talked a little about some of the inspirations and lead up to the Mirror Blaze project. Today, we’re going to show our first experiments with mirrors and posts, from May and June 2015.

First, a note about how cats react to power tools:

Lyra reacting to power tools.

The first mirrors arrived sometime in February, a time of somber reflection:

This first set of mirrors, which would end up being about 90% of the mirrors in the final mirror maze, were a wonderful gift from Trevyn. It’s not overstating it to say that this project would not have been possible (or would have cost twice as much) without his generous help:

It being cold, and the mirrors being held together with double sided tape, we separated them as best we could, and went inside to wait out as much of the Canadian winter as we could.

We spent the time plotting geometry, and trying to uncover which shapes were most likely to contain a cat:

Note that the triangle in the photos above is 4′ per side, as the mirrors we were planning to use were 4′ or 4’1″ per side.

On June 6th, it was finally time to do our first experiments and build! We knew that we would have to purchase at least three two-way mirrors (to surround the flame effect), so we had purchased some half-thickness mirrors (three one-way, one two-way), in the hope that they would be thick enough to use.

We had two major problems that we were still trying to solve, though. The first was how to keep the structure up without using guy wires. We had experienced the horrors of tripping over guy wires every night in 2013, and we wanted to avoid this at all cost.

We had the bright idea of attaching the wooden 4″x4″ posts (we had at this point mostly decided on 4″x4″ wooden posts, after all of our ideas of custom-made metal 6-way symmetric metal posts fell by the wayside) into the ground with some sort of post or attachment. These ‘carport rebar’ devices felt very close to what we were looking for, but we were designing for 90km/h windstorms blowing on upright 4’x8′ panels. It’s difficult to see in the picture, but the rebar is only about 8″ long coming out of the bottom of the saddle, and we thought we would want at least a foot, probably two to be able to withstand the wind. Also, my wood-splitting and torque fears were triggered by the idea of only having one sideways bolt holding the post in place about 2″ from the bottom of the post, where it would be subject to the highest torque with not much wood right at the tip of the post taking all of the strain. However, as you’ll see later, this was the genesis of an idea:

The other main problem was how to reliably and precisely make 60 degree angles between the mirrors, so that we would get the true tessellated triangular prism ‘hall of mirrors’ effect. We thought of using ‘Skewable Angle’ bendable metal connectors:

But looking at them, it occurred to us that we could just use hinges. They’d be more expensive, but but much more flexible, and likely much more durable. Thinking about it, hinges would allow more flexible assembly (and a lot of headaches, but that’s another story). We decided to try two different types of hinges, piano hinges:

And T-hinges. (It’s funny, looking at the product pages now, it’s clear that we wanted T-hinges, for their durability, and the simple fact that they’re built specifically for outdoor doors and gates, but at the time, it was difficult to know what was important in the design. We could only test and hope.):

Next time, we’ll talk about how we used all of these components for our first integration test! Stay tuned!

So, you may have been following our adventures with Mirror Blaze at Burning Man in 2015. However, there was a significant amount of work put in by many people to make it work.

But before all of that, it started with sparks of inspiration. Or perhaps more precisely, flames of inspiration from S. We had been to the Burn with Site 3 Fire Arts in 2013 (pictures forthcoming[1]), and in late 2014, we had started talking about putting something together for 2015 (August/Sept).

Sometime in December, I was hanging out with some of my friends who do fire spinning, and (in addition to being pretty cool), it helped keep fire art at the top of our minds:

I also thought enough of this picture of the Man to screenshot it, perhaps to remind myself:

The other members of S3FA were also experimenting with various flame effects, such as Carrie’s Sniffly Dragon:

Along the way, after the success of the Charcade in 2013, we decided to put together a ‘Charnival’. Many ideas were thought up. I don’t remember if these were from a brainstorming session with all of S3FA, or just S and I, but I do remember that it was S’s idea to do a flaming mirror maze[0]:

You can see a number of ideas here which made their way into the Charnival (either on their own, or from a brainstorming session such as this one). Specifically, a ring toss game (‘Flaming Hookers’), the hall of mirrors and fire mirror maze were combined into Mirror Blaze, and there was a high striker (‘Hellblazer‘), amongst many others:

One of the other wacky ideas that was discussed was a fire-bumper-car game, working title ‘Crash & Burn’. There was vigorous discussion about the artistic direction of this project, and I ended up facilitating[2] a session where we settled on a combined vision:

Sadly, ‘Crash & Burn’ did not receive enough funding to go forward, but it lives on (in a fiery way) in our hearts.

We did go forward with Mirror Blaze, and this was apparently one of the initial Google searches I did while we were first researching geometries:

Next time, I’ll start in on the Mirror Blaze design and build process. Stay tuned!

[0]My posts are almost by necessity from my perspective. The initial idea, and most of the driving force for Mirror Blaze came from S. (Just ask her about the quartz tube story!)

[1]Don’t ask about the order that I post pictures. I don’t know, either.

[2]This was the first time that I really facilitated a meeting like this, and it really cemented my desire to do more facilitation. If you’re wondering what it looks like when I run/host a meeting, it may look something like: