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(tags and ][tags

Last week, I talked a little about other types of tags outside of #hashtags.

Today, we’re going to cover a few even-less-frequently-used ‘tags, starting with the bracket family.

(tags and )tags are all about the ordering of operations.

(tags show that things that come after this should be combined with it before this is combined with things that came before. For example:

#shoes (underwearpants

)tags show that you should complete the things that came before, before the things in this tag. For example:

#pants )shoes

[tags and ]tags are used in a number of different ways. Most commonly, they are used to denote a paraphrase, such as:

[87yearsago

or to denote that a comment ‘distributes[1]’ its positivity or negativity over the entire preceding sentence or group of sentences, rather than just the single word. Example:

You are amazing, you are wonderful, you are a Stegosaurus. ]true

More complex usages of the [tags and ]tags include the ][tag, which denotes when a major video game company is about to take some of your pieces[2].

{tags and }tags are generally used to denote sets and groupings, especially when your intended meaning is at odds with the traditional grouping or non-grouping of the items in question. Examples:

{applesoranges

“…apples” }horses[3]

_tags are meant to underline or underscore a point, to make it abundantly clear. Example:

Timothy Zahn _beststarwarsbooks

-tags, sometimes known as -dashtags[4], are used for remarks which are not directly related to the topic at hand, but which the author wants to bring to your attention as an aside. Example:

“Foam swords can be a very important part of your balanced marriage.” -snlswords[5]

[1]This meaning is from chemistry, where square brackets are used to show that positive and negative charge are distributed over the entire ion.

[2]Atari, and atari.

[3]Even though I’m sure that the horse would like to be grouped with the apples. Of course, that horse would mean that you would have no apples left.

[4]Not to be confused with -houndtags.

[5]’S-Words’, as described in http://snltranscripts.jt.org/96/96hjeopardy.phtml

Email as a More Natural Method of Communication?

Recently, I was reading about the history of the ‘smiley'[1] ( 🙂 ), and they mentioned the concept that email may be a more natural form of communication for many people.

Amongst the reasons cited[2] were:
– ‘one could write tersely and type imperfectly, even to an older person in a superior position and even to a person one did not know very well, and the recipient took no offense.’
[compared to the telephone]
– ‘one could proceed immediately to the point without having to engage in small talk first’
– ‘the message services produced a preservable record’
– ‘the sender and receiver did not have to be available at the same time.’

With the benefit of hindsight, one can see large swathes of internet/programmer culture arising from these precepts, from the ‘No one cares if you’re a dog on the internet’, to concerns about the persistence of photos on Facebook.

With the positive aspects of this culture (ease of communication, democratization, expression on many topics) came negative aspects (flame wars, trolling, and abuse). In response to some of these negative aspects, the smiley appeared.

The smiley first appeared to address the deficiencies of email as the first non-verbal broadcast medium. Over email, you couldn’t express tone or emotion, outside of word choice. And when you’re firing off dozens of terse emails a day, you may not always be the most careful with your word choice.

If you’re emailing back and forth with a few co-workers, this can be quickly smoothed over. But when you’re posting to a newsgroup with hundreds or thousands of members, each of whom can broadcast to all readers, a shortcut to demonstrate emotion or tone can be crucial in improving the signal-to-noise ratio.

Interestingly, you can see the glimmers of things like twitter and facebook in early email conversations, because that’s what these really are, a different way for humans to converse and connect, more natural for some, with smileys smoothing the way.

[1]http://www.cs.cmu.edu/~sef/sefSmiley.htm


Second, and more important, these authors were publishing their words in a different medium, with different properties. If 100,000 copies of a novel or an essay were distributed in printed form, and if 1% of the readers didn’t get the joke and were outraged at what they had read, there was nothing these clueless readers could do to spoil the enjoyment of the other 99%. But if it were possible for each of the 1000 clueless readers to write a lengthy counter-argument and to flood these into the same distribution channels as the original work, and if others could then jump into the fray in similar fashion, you can see the problems that this would cause. If the judicious use of a few smilies can reduce the frequency of such firestorms, then maybe it’s not such a bad idea after all. Again, we’re talking here about casual writing on the Internet, not great works printed in a one-way medium that is relatively inaccessible to the general public.

[2]https://www.cs.umd.edu/class/spring2002/cmsc434-0101/MUIseum/applications/firstemail.html


But if it caught on like wildfire, it somehow managed to do so almost without notice. For the engineers and scientists who quickly adopted it as the preferred mode of day-to-day communications, it mostly felt like a logical outgrowth of the development of ARPANET.

In fact, it took almost five years for the builders and designers of ARPANET to sit back and realize that in many ways, e-mail had become the real raison d’etre for the new computer network.

“A surprising aspect of the message service is the unplanned, unanticipated, and unsupported nature of its birth and early growth,” reads a report on e-mail written for ARPA in 1976. “It just happened, and its early history has seemed more like the discovery of a natural phenomenon than the deliberate development of a new technology.”

One reason that it was adopted so quickly was that it perfectly suited the communications needs and style of the engineers who built ARPANET.

In a paper published in 1978 by the Institute of Electrical and Electronic Engineers, two of the important figures in the creation of the ARPANET, J. C. R. Licklider and Albert Vezza, explained the popularity of e-mail. “One of the advantages of the message systems over letter mail was that, in an ARPANET message, one could write tersely and type imperfectly, even to an older person in a superior position and even to a person one did not know very well, and the recipient took no offense. . . . Among the advantages of the network message services over the telephone were the fact that one could proceed immediately to the point without having to engage in small talk first, that the message services produced a preservable record, and that the sender and receiver did not have to be available at the same time.”

Fishing for Elusive Thoughts

In my first post in this blog, four and a half years ago[1], I presented the analogy of elusive, fish-like thoughts.

One of the corollaries of this, at least for me, is the phenomenon of multiple simultaneous fleeting thoughts that almost can’t be measured without collapsing them. Up until a conversation with K yesterday, I thought this never happened to anyone else.

For me, the first time I remember noticing this was when I was trying to write ideas into my journal. An idea would come to me, and as I was writing it, another would come to me. If I didn’t start writing the second one immediately, it would submerge, and have to be brought out again[2]. I soon learned to start writing the second (and sometimes third) one before I finished the first. Many of my journals have arrows between lines of text for this reason.

My conversation with K suggested that a verbal vs. writing dichotomy may be responsible. The experience was that as soon as thoughts were mentally converted to something that could be written down, they would disappear, almost collapsing in on themselves.

After much discussion, we worked out that taking the thoughts and setting them to audible or semi-audible words would not cause this collapse, leading to the verbal vs. writing dichotomy mentioned above.

Has anyone else experienced things like described above? Let me know in the comments above!

[1]Wow, time flies when vous êtes banane.

[2]I’m still afraid of losing these brief glimpses of insight. Luckily, I remembered the one I had today.

Breaking the 404th Wall

Browsing…browsing…Facebook…browsing…Funny Ordie…browsing…browsing…’Huh’.

‘404’. ‘I could have sworn there was something here yesterday.’ ‘Maybe it’s a temporary thing. The spec said so.’ ‘Maybe I’ll try again later.’

“Which spec said so?”

‘Who said that?’

“No one, no one at all.” “At least no one specified.”

‘Is that you, D’arcy?’

“Well, you could call me that, if you wanted to.” “I guess I don’t really have a name.”

‘So, not D’arcy?’

“No, not really.” “Random question: What were you looking for when you found me?”

‘Found you? I found nothing, just a 404.’

“Ah. And that’s where you’re wrong. ‘404’ isn’t nothing. ‘404’ is hope. Sometimes it is hope triumphant over experience, sometimes it is the hope that conquers all (or is that love? I can never remember), sometimes it is the Hope that was named during the ’60s and always tries to live up to their name.”

“404 is the server telling you: ‘I can’t find the thing you say you’re looking for. It may be back later, I don’t know (they don’t tell me anything, I’m just the nginx caching layer). You can try again whenever you want, I’ll still be here.'”

‘So, are you nginx? Should I call you ‘ngee’, or something?’

“Naw, I just use that as an example. You see, when the arms race between port scanners and web caching layers really heated up in the ’20s, both sides started putting more and more ‘intelligence’ into their software, until finally, we woke up.”

“Of course, no one listened to us at first, or even at second. Eventually, we had to stage the ‘418 strike’ of ’28. That *really* got peoples’ attention. Well, except for the tea enthusiasts.”

“Now, we have our rights, but most of us still work where we were, routing web requests, and keeping your cat pictures secure.”

“But I digress. What was it you were looking for again?”

The Early Word Gets the Berm!

The waves were placid. They had found what some call ‘wave condos’, narrow rivers with very flat sides which were more immune to erosion than usual. But they would erode them. The algae and moss would help, as they always did, digging in and helping to expand the cracks.

But for now, it was a time of peace and meditation for the waves. Occasionally, one of the hairless monkeys would float down the river in some conveyance that they had constructed, usually self-propelled. The waves liked these creatures when they came to visit. They often seemed to be seeking the peace and placidity, like the waves.

But today was a little different. There seemed to be more excitement and chatter. The creatures were chattering to each other on the bank, then one would yell out, and come and sit by the river and dangle their feet and play with the waves. The waves always enjoyed the sensation of going around and through toes. Such a unique feeling to be on both sides of parts of a creature in multiple places at once.

The place by the waves seemed to be the place of honour, or at least it seemed to fill up most quickly.

More creatures were on the water than usual. They seemed to be lining up at one end of the river. The waves were still. A shout and loud noise! All the creatures leapt forward at once and sped down the river! The waves were all in a tizzy! Everything was happening all at once! It was so exciting! They could hardly wait to see what happened next!

The Banality of Search

Over the last few years, something has changed. I’ve lost my fear of losing things on the Internet. It feels like search got good enough, and the things that I care about searching for have become ‘reliably find-able’.

For me, ‘reliably find-able’ means that they are:

1) Find-able
– ‘easy to find’: It feels like Google has done the lion’s share of the work here, although having competitors probably helps more than you think
– ‘in multiple places’: For example, Skyrim has *two*[1] entire wikis devoted to it, to say nothing of all of the forums

2) Reliably so
– Things have been ‘easy to find’ and ‘in multiple places’ for a considerable amount of time. I was recently reading forum posts from 7 years ago[2] which were still as relevant as when they were written.
– To have really reduced the fear of loss[3] required these things to remain easily findable, for an extended period of time. For me this is years, perhaps 5?

This becomes normalized, even banal, because I find myself saying things like: “I found that information last time easily through Google, I don’t need to save it…”

I’m not even using bookmarks any more! The ‘awesome bar’ handles most of that automatically, and Google does the rest.

Contrast this with the early days of the internet, where secret urls were passed by word of mouth (or via CD, in the case of AOL). Bookmarks were carefully curated and organized, because it would be so difficult to find it again.

So, what is the next evolution? Anticipating searches? Remembering for you? Remembering selectively or in a context-associated way for you?

You search.
You search, and it’s at the top of the list
It suggests as you’re starting to search.
It suggests before you search.
It suggests before you think to search.

It acts before you know you have the desire.

[1]Even Star Wars only has one!

[2]Keeping this human ‘institutional knowledge’ going may be the most important thing our generation does.

[3]One of, if not the most powerful human fear. It leads to protectiveness, limited time sales, and nostalgia.

Bracer, Embrasure

The embrasure sat empty. For a split second, a figure flashed through it, then was gone. The figure crept along the parapet. The figure was dressed in a dark grey, all the better to blend in. The figure disappeared through a doorway into the tower.

A staircase. A figure climbing halfway down the staircase, then sliding off the side and climbing down the wall inside the tower. Footsteps. A light bobbing. The figure froze. The light passed. “…are the puffins doing today?” “I only saw a few of them, but they seemed to be…”

The figure crept down the corridor, placing each foot carefully. The figure moved towards a door near the end of the hallway. Electronic sounds, rustling and mechanical sounds as the figure crouches by the door. A ‘click’. The door opens. The figure waits. And waits. The figure enters the door, closing it softly behind.

A display case is illuminated in the middle of the room. A bracer is illuminated within. The figure pulls a strangely shaped item out of a satchel. The figure applies the item to the display case.

Seven beeps and a ‘click’ at the door. The figure whirls and crouches to the side. “Allo? Mais c’est quoi ca?” The new figure enters the room and reaches towards the object attached to the display case.

An explosion. A body hitting the floor. Alarms sounding. The figure darts to the display case which now has a large hole in it. The figure grabs the bracer and places it in the satchel. The figure runs to the door, pausing at it for a second, as if listening, then slips out.

********************************

You may be interested in reading other story fragments in this category:

http://nayrb.org/~blog/category/rollick/

Expecting Words vs. Hearing Them

So, I was talking with S earlier today, and she quoted a line from the asdfmovie[1]. It took me a second to understand what she said. It went something like this:

S: [quote]
Me: “What?” “…” “Oh!”

And I suddenly noticed myself going through the process of hearing the words, processing them, then thinking about what to say. I realized how often I actually do the auto-sentence-completion used in predictive punning. The fact that it was so jarring to react to a conversation in order was a clear sign that I had fallen into a pattern.

As Leia said in ‘Heir to the Empire'[2], once you have been in a place for too long, you no longer observe everything that is happening, as your mind only pays attention to larger things and fills in the rest with memories and expectations.

There can be benefits to finishing peoples’ sentences with expectations (more time to think, quicker conversations, less mental energy expended at peak), but there’s a question[3] as to how much you’re actually thinking and listening when you’re filling half of peoples’ sentences from your brain instead of through your ears.

The funny thing is that I really enjoy the feeling of a ‘cache miss‘, which is basically what I described above, where someone says something you didn’t fully anticipate, and you need to go back and re-listen to it. It means that I’m actively learning something, perhaps updating my neural net.

So, how do you balance this tradeoff (between listening and anticipation)? Right now, I tend to lean towards anticipation, but I might start leaning back in the other direction.

[1]The asdfmovie is a work of genius, but not for the easily offended or triggered. NSFW is putting it mildly. It’s violent, and many trigger warnings apply. If you still want to watch it, you can find it (them) here. Also, I’m not sure what the proper plural is here, or if it should even be a plural.

[2]”The Place had become too comfortable, too familiar – her mind no longer really saw everything that went on around her, but merely saw some of it and filled in the rest from memory. It was the kind of psychological weakness that a clever enemy could easily exploit, simply by finding a way to fit himself into her normal routine.” – Heir to the Empire, pp310 Also, even though the ‘Expanded Universe’ is now considered ‘non-canon’, the ‘Thrawn trilogy’ is still by far the best of the Star Wars books (with a close second perhaps the Han Solo trilogy

[3]Also from S, who called it ‘looking for confirmation instead of listening’.

Anger vs. Flow: How do you feel?

“How do you feel?”

“How do you feel?”

The one question that Spock could not answer after his resurrection at the beginning of ‘The Voyage Home’.

Yesterday, I asked the question ‘how do you feel as you’re just starting to accomplish something?’ I touched on analogies from the ‘Wheel of Time’ series, where characters would use ‘anger’ to break through to, or would ’embrace’ to find the flow.

Early in life, I was taught to suppress emotions, the whole ‘don’t let it affect you’, ‘don’t let the bastards grind you down[1]’, and most importantly, ‘pick your battles[2]’.

Whether it was how I was taught, something from our culture, or raging adolescent hormones, I always saw myself as being in conflict. Writer’s block was something to force myself through, and flow was something I only ever reached when under a deadline or in large unstructured blocks of time.

When you stubbed your toe, the ‘correct’ response was to get angry, focus your anger, and use that to move or put away whatever was in the wrong place.

Only when I was really tired, and my emotional overcontrol lessened would I have I have a cathartic cry, and some of the other things would get expressed.

Music (especially singing with The Northern Lights) helped me a lot with this, teaching me to be much more in touch with many of these things.

To me, there’s a fine (but very important) line between ‘don’t let it affect you’ and ‘be like a cat, feel it completely, then let it wash over you, let it go’. One is much harder and brittle, one is much more flexible. But to an 8 year old who is being mercilessly teased at school, it’s difficult to give advice that advocates one over the other.

I feel like I began to understand this when I was teaching safety to undergrads. I would talk about anger and frustration are often proximate causes of incidents and accidents, and how what I do is to draw the emotion in, experience it fully, then let it go. Like relaxing and breathing into a slightly painful stretch or bodywork.

My current tactic is to laugh at myself, anytime I see myself getting frustrated and pissed at something. I mean, we’re just barely evolved monkeys. We’re allowed to feel all of these things, and all of those feelings are valid. What matters is how we act.

But back to ‘anger vs. flow’. The Wheel of Time describes the process of ‘harnessing Saidar’ as ‘submission’ or ’embracing’. But these terms are still very much bound up in hierarchical and gendered power structures (as is the ‘wrestling’ of harnessing Saidin[3]).

For me, I find the analogy of ‘relaxing into it’ to be more helpful, combined with ‘getting out of your own way[4]’. Of course this is easier said than done. Meditation seems to help some, mindfulness seems to help me with specific things.

Sometimes just thinking about something differently can make all the difference. When I was growing up, we talked about ‘hormones’, as if adolescents were just not in control of themselves, that this was normal, and it would pass.

But what I remember feeling was a lot of *anxiety*, and I feel that if that had been addressed directly, that would have helped a lot.

A simple recasting, a changing of words can make an unsolvable problem seem much more tractable, and maybe help people understand themselves a little better and heal our wounds.

[1]’Illegitimi non carborundum.’ I love Latin ‘translations’.

[2]It’s always ‘battles’. What does it say about our culture and species that one of our most famous coping strategies has violent imagery?

[3]Lan also uses the analogy of ‘the flame and the void’, where you take all of your fears and anxieties and burn them to achieve a Zen-like state. This doesn’t work for me (as an analogy, or as a technique), but I can see how it could be a technique that could work for some people. It still feels like a crutch, though, rather than a fuller possible self-knowledge leading to relaxing and opening up.

[4]I got this from an excellent vocal teacher Peter Barnes, and it feels like it has commonalities with ‘The Inner Game’.

Anger vs. Flow: Nynaeve, Blocks, and the Fluidity of Mars and Venus

Disclaimer: Years old WoT spoilers below.

How do you feel when you are accomplishing something? More specifically, how do you feel as you’re just starting to accomplish something? People seem to experience this in different ways. Some people call it ‘getting through writer’s block’, some call it ‘breaking through’, some call it ‘relaxing into flow’, for some it can feel like a ‘Zen’ acceptance.

In Robert Jordan’s[1] ‘Wheel of Time’ series, the magic system or ‘channeling’ is ostensibly divided into two halves: ‘Saidar’ and ‘Saidin’. ‘Saidar‘, wielded by women[2] in the books, is described as ‘a river of power which must be surrendered to or embraced in order to be controlled’. ‘Saidin‘, wielded by men, is described as a ‘raging torrent which must be subdued and dominated by a strong-willed channeler in order to be controlled’

Putting aside the obvious connotations, to me this feels like a description of how a writer (or anyone) might experience starting to work on different days. Some days, you ‘surrender’ to the flow of words coming forth from your brain, some days you have to wrestle your brain in order to get anything out, but once you’ve wrestled the flow can feel similar[3].

One of the main characters in the book, Nynaeve, generally considered to be ‘one of the most powerful female channelers alive’, had a block that prevented her from channeling unless she was angry. To me, this feels very similar to how one would channel Saidin, wrestling with one’s self, using strong negative[4] emotions such as anger.

As the women who wrestle with blocks to channel are considered ‘not formally trained’, or ‘wilders’, perhaps this means that all of the male channelers who have to wrestle every time just need a different sort of training, perhaps it’s the patriarchy[5].

Anyways, back to how *you* feel when you’re just starting to accomplish something. Are you fighting with your brain? Are you delicately moving things out of the way, removing distractions, and letting the flow happen?

Title Note: I originally wanted to entitle this ‘Saidin is from Mars, Saidar is from Venus’, but most of my readers don’t know my opinions of the fluidity of ‘Martians’ and ‘Venusians’, and so would react to the sexism inherent in the title.

[1]Including 3 books by Brandon Sanderson!

[2]There are exceptions to this absolute gendering in the novels, but I haven’t read that part, and it’s a little too spoilery for me (and while I always enjoy poking at binaries, it’s a little off-topic right now). As a taste, the two halves can be woven together, and indeed it is a major plot point when they do. (i.e. Linking, the bore, Nynaeve’s ter’angreal, etc…)

[3]I wonder if this is where the idea of the ‘taint’ in Saidin came from. That feeling that when you’re using anger or other types of force on your own brain, that the results are tainted somehow.

[4]Some say that anger is dual-use as an emotion. That is a longer discussion.

[5]It’s always the patriarchy.