Please note that this is one a series of posts, all of which may contain spoilers for the MCU, and particularly Endgame.
Music playing: Still “Avengers Theme Remix”, remixed by ‘Approaching Nirvana‘.
We had originally planned to skip The Incredible Hulk (2008), as many do, but after thinking/hearing about all of the controversy regarding the arguments between Edward Norton & Marvel about scripts, we decided we wanted to see what all the fuss was about.
The movie opened with a strange choice: The film’s editors decided to put the usual character origin story into a short montage at the beginning. S noted at the time that she felt cheated of the best part of one of these superhero movies, the part where they discover themselves for the first time, when they go from zero to one.
The rest of the movie just seemed a bit off. It’s hard (for me) to put my finger on exactly what the issue was. I’m sure part of it seemed to be that the Hulk character seemed a bit inconsistent with the later portrayal, with Norton’s silent & brooding fugitive contrasting with Ruffalo’s more comedic take, some of it was the on-screen depiction of the Hulk, seeming scarier and more visceral, but I think I could have dealt with that, and found my peace with the film, accepting that Banner and the Hulk were learning about each other, and that this movie was all about acceptance of one’s inner Hulk…
…except they never really talked about that. There was a deleted scene in Norton’s edited screenplay that showed Banner trying to commit suicide to get away from the Hulk (a similar scene alluded to by Ruffalo’s Banner in Avengers). This was supposed to be the opening scene, and it might have gone a long way towards justifying an arc through the movie of Banner slowly coming to terms and accepting the Hulk as part of himself, where after trying to remove him, he finally accepts the necessity, in order to defeat Abomination.
Some things that were done really well: The chemistry between Tyler & Norton was fantastic, they were really believeable as long-lost lovers (apparently they spent a lot of time discussing their backstory, even though they didn’t talk much about it in onscreen), and Tyler’s character was pretty badass, in one scene, leaping on top of the Hulk to try to save Banner, in another, taking them out of a cab, to reduce Banner’s stress level.
The rest of the characters…well…it felt like they never really fit into the story. I always find it difficult to figure out what drops me out of my suspension of disbelief in a film. Is it the editing, that makes the time between comments feel unnatural? Is it the script? Is it the actors not living their parts? Whatever it was, Thunderbolt Ross felt unnatural, the scientist ‘helping’ them felt absurdly over-the-top, and I can’t even remember the rest of them.
The one other shining star was Ty Burell’s Samson, who felt believeable all the way through. You could just picture him understanding Tyler’s character, feeling her inner torn-ness, and choosing to let her go.
Overall, the movie felt like Banner trying to find Betty Ross (eventually successfully), while trying to control and suppress/expurgate the Hulk part of himself. Along the way, he eventually accepted that the Hulk was part of himself (which is a long way from liking or trusting the Hulk).
But overall, it didn’t really deliver. It might have been because Norton and the editing team had different ideas about the character, or what movie they were making. It might just not have been put together well.
In my head-canon, I see The Incredible Hulk (2008) as being an alternate universe explanation of how the Hulk came to be, and not really part of Earth-199999 (unless there are cross-overs), and not really informing the Hulk’s (or Banner’s) character moving forward
I would recommend this film only for completionists, or those who like Ed Norton (or Liv Tyler).
Next up: Iron Man 2! Purported to be ‘not as good’ as the first, but we’ll see how well it’s held up.
Other random notes:
Much of the film was shot in Toronto, leading to some interesting cognitive dissonance for the scenes shot on UofT campus, as the terrain/buildings really didn’t connect well with each other. (It’s difficult to know how much of this is because I know how things connect, and how much is because they had a grassy meadow with no buildings visible in the distance right beside a university building with a treed circle and cars.)
(Contrast with Avengers, which had regular establishing shots with Stark tower in the background)
 Apparently, there was a test screening where viewers found the original plan (a reboot with flashbacks) too similar to Ang Lee’s Hulk (2003), and that is why they made this decision. 11 years later, it just seems like an odd design decision.
 This might also have helped a lot with explaining the ‘leap of faith’ that Norton’s Banner took near the end of the film, to try to transform into the Hulk in mid-air. I didn’t feel that there was anything in the movie that showed that Banner felt guilty enough about being the Hulk to take that action.
 Looking at Wikipedia, to check part of this post, I realized that I had forgotten Tim Ross’s Abomination. I felt during the movie that I never really understood where he was coming from. Yes, he said that he a survivor, that wanted to keep fighting (very likely some form of PTSD), but it was a bunch of ‘tell-rather-than-show’ moments, and some sort of flashback would have been much more effective for this character.
 This would eventually lead into the ‘Hulk is feeling taken for granted’ storyline from Ragnarok->Infinity War->Endgame
 Also, random note. They changed the ‘>200bpm -> Hulk’ to ‘letting yourself be angry’ after this movie, likely for storytelling reasons, but it’s a super-interesting ‘science’ part of the film.
 There was a final scene, where Banner is off somewhere hiding, and you see him almost gleefully going to ‘days without incident: 0’, which could have been a super-interesting ‘addicted to Hulk’ story.
 I’ll have to wait until Ultron to decide, but I feel that it is unlikely that Banner’s romance with Ross in this movie is consistent with his later romance with Black Widow.
 Thanks Ty Templeton for his fantastic Comic Book Boot Camp, which taught me about Establishing Shots, and many other important things!