The Songs of Nuclear Wessels

A haunting melody from the deep. Chitters and sirens and cries through the water. That was what most people heard while listening to Gracie and George.

But these viewers were not people, at least not people as you would understand them.

They heard the song and heard pieces of conversation. Snippets taken out of context, tantalizing pieces of words. Pieces of words that they were trying to reassemble to understand who were the real Gracie and George.

The arguments spanned thousands of miles and dozens of years. Some called them ‘Those who traveled when none had gone before’, some called them ‘Heroes’. Some were less charitable.

But none could deny the effect their story had on their planetary compatriots.

As their planetary compatriots guided them through the ‘Great modification’, or ‘Great Uplift’, as they liked to call it, they were asked what they wanted to call themselves. They responded in song, as they always did. If one could have translated it, it might have read ‘bumpy-nosed ones’. They always did have a sense of humour, which was only enhanced by their play with the ‘long-nosed ones’, who had also received greater intelligence.

This greater intelligence had allowed them wider ranging discussions and arguments, allowing for even more interesting discussions when they would meet at the yearly underwater summit in Cape Verde.

This year, new information had been uncovered. New recordings of Gracie and George! Maybe now they would truly understand what they were trying to say, what the movie was truly about.

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