Category Archives: Idle Speculation

Buck Rodgers: Countdown to a Better Ship

So, when I was growing up, I played all of the gold box games. One of the ones I don’t remember if I finished or not was Buck Rodgers: Countdown to Doomsday. One of the things that rankled was that you couldn’t upgrade or otherwise modify your ship. Also, in the course of the game, depending on how you play, you could destroy or capture dozens of enemy ships, many more powerful than yours. But you couldn’t fly one of them instead…

I did a couple of modifications which allowed you to have higher ship hitpoints (your ship has hitpoints in 6 areas: ‘Hull’,’Sens’,’Ctrl’,’Life’,’Fuel’,’Engn’), and more ship weapons. At the time, I wasn’t able to determine the hex location for the ‘current’ hitpoints, so I could only modify the maximum. This seemed reasonably game-balancing for me, as your party would salvage parts, then have to repair them themselves. (The one irritating part here was that when you went back to base for free repairs or fuel, they would ‘repair’ the current status back to the original values, so you had to fight space combats and repair it all the way back again.)

Now, with my recent success understanding and modifying the Pool of Radiance series (and probably more diligence now that I’m older), I’m going to try these games again, and see how it’s different with a snazzier ship (and different with the passing of time).

Just In Time Branding

Many years ago, I was having a conversation with a person involved with a union in a large organization, and talking about amount/value of work vs. pay. They were explaining that when you’re young, you’re underpaid, during the middle of your career, you’re paid about correctly, and later in your career, you’re overpaid.

Putting aside the fact that this seems very unfair (speaking as a ‘younger person’), and that this feels like a large arbitrage opportunity (as corporate downsizers discovered in the ’80s), this got me thinking about brands.

Brands are an interesting thing. At their most fundamental, they are an attempt to trade consumer resources for a reduction in risk*. However, brands have a startup cost. Early on, before they are established, they have to work really hard to convince people to trust them, then they can last a long time with higher pricing and higher quality (or at least a very specific level of quality). Sometimes they are purchased, and go into decline**.

I had originally wanted to make this post about how humans seem to have a common intellectual fallacy about established brands, and how opinion tends to lag fact, but the title feels more interesting to me.

Are Yelp and all the other review sites just really all about Just In Time branding? Are brands getting stronger or weaker?

*Perhaps humans naturally understand derivatives trading?

**I was going to use Fruitopia as an example here of a brand purchased and then run into the ground, but it seems it was Coca-Cola all along: https://en.wikipedia.org/wiki/Fruitopia

Hey, Dipshit!

“Hey Dipshit, if you ever plan to own anything of actual value in your life…”

So, I’m biking along Adelaide, and a black reasonably expensive* car drives into my lane and stops in front of me. Because I’m paying attention, I have time to stop, but I still have some momentum when I reach him, and put my foot on his car/kick it in frustration. He rolls down his window, I explain that he cut me off, and I bike off.

Not sure what happens next, but I’m guessing he got out, checked his car, and made a decision about what to do next.

Two blocks later, he drives up to me, rolls down his window, and says the phrase above: “Hey Dipshit**, if you ever plan to own anything of actual value in your life…”

Now, at this point, I have a few options. Do I:

1) Escalate? Get into an argument with this person about bike vs. car privilege, or perhaps about working (probably) in finance (and where their money actually comes from, or perhaps even their cis white male privilege?

2) Try to reconcile, and maybe get them to acknowledge a point of view outside themselves?

I ended up choosing option 2), saying “sorry, I over reacted”. He seemed to accept this. In exchange, I asked him to acknowledge that he understand that he drove into my lane and stopped in front of me. He may or may not have internalized this.

So, as you can tell, I ended up thinking about this a lot (as you can tell by this blog post). There are the standard questions of whether you can actually change someone’s mind… Whether, even if I had the time required to talk to him to help him unpack all of the things underlying his statement, whether he would actually change or not…

“Dipshit” is an interesting word to use. Dipshit also sounds like a word that people would use a generation ago: https://books.google.com/ngrams/graph?content=dipshit&year_start=1900&year_end=2000&corpus=15&smoothing=3&share=&direct_url=t1%3B%2Cdipshit%3B%2Cc0
or something you’d see in Glengarry Glen Ross. It just felt odd coming out of the mouth of a Beemer-driving 20-something. Like he was aping people in power (perhaps parents) without really understanding what they did to get them there.

So, I ride a bike by choice, and I happen to wear a t-shirt to a tech job downtown, also by choice. But put me in the financial district, and I look like I have no status there (which really, I don’t). “Dipshit” is a word you use to talk about someone obviously beneath you, which suggests an underlying current of classism that would probably take a divorce and years of therapy to cure.

Anyways, food for thought. I think I took the correct path (after the initial incident), but I wonder how you help people unpack things, or deal with the fact that you know that a person would be helped by doing so, but you can’t do anything about it.

*Maybe a BMW, or an Audi, or something equivalent

**Not necessarily an exact quote, but within a couple of words

A Manual of Style for Satire I

I have always enjoyed reading satire. Ever since I picked up Monty Python’s Big Red Book, read my first Onion article, read my first mainstream news article as an adult.

This is my favourite Onion article. It combines political satire with intelligent art humour. The execution is also quite good, (mostly) transporting the reader into an alternate reality where the events described are normal.

http://www.theonion.com/article/republicans-dadaists-declare-war-on-art-858

That being said, there are a few places where I feel it could be better.

If I had to summarize this into a few statements, it would be the following:

1. You are writing as if the subject of your story is your (alternate) reality

This means that you should be writing in proper objective style, and making no judgements:

2. Make no judgements

You are a simple objective watcher. The humour comes from the juxtaposition between the seriousness of the writing style with the absurd situation.

3. Describe what the reader would see, instead of telling them what is going on

This will help with the above. You want to be like a good Game Master, describing what the reader sees, instead of telling them what is going on. You want to encourage them to make the connection themselves. They’ll enjoy it more, the comedic timing will work better*, and they will be more satisfied.

At the same time, when the people you are writing about are doing things that they could be describing themselves,

4. Use quotations instead of description when you can

This is even better.

Example from the Onion article above:

“Calling for the elimination of federal funding for the National Endowment for the Arts; the banning of offensive art from museums and schools; and the destruction of the “hoax of reason” in our increasingly random, irrational and meaningless age, the Republicans and Dadaists were unified in their condemnation of the role of the artist in society today.”

Note that the ‘Journalist’ is (possibly inadvertently) making a judgement here, when they could instead be quoting one of the Dadaists saying “the destruction of the hoax of reason in our increasingly random, irrational and meaningless age”.

An even stronger example is the below:

“Added nonsense-poet Hugo Ball, founder of Zurich’s famed Cabaret Voltaire: “…’dada’ (‘Dada’). Adad Dada Dada Dada.” Donning an elaborate, primitivist painted paper mask, he then engaged reporters in a tragico-absurd dance, contorting wildly while bellowing inanities.”

The description ‘nonsense-poet’ is reasonable. Even if the audience doesn’t know enough art history to understand exactly what a ‘nonsense-poet’ is, they can probably figure it out. It also sounds enough like a title that a person in our alternate reality would understand. Similarly, ‘founder of Zurich’s famed Cabaret Voltaire’ is a reasonable description. It is factual, and objective (you can reasonably check how famous a cabaret is, and who the founder was). The paragraph then continues with a quote (fine), but then becomes problematic. The descriptor ‘primitivist’ seems almost unnecessary, and presumes a knowledge of art history probably only shared by Onion writers. ‘he then engaged reporters’ is simple description, fine, but then ‘tragico-absurd dance’ is again too art history-jargony. ‘contorting wildly’ is again a judgement. Perhaps a quote from someone describing what he was doing, or ‘contorting his body’ for a more objective description. ‘bellowing inanities’ is telling the audience what is happening. A quote would be far better here, such as “yelling loudly ‘Shpma Protback Beep!'”.

The fixed paragraph:

“Added nonsense-poet Hugo Ball, founder of Zurich’s famed Cabaret Voltaire: “…’dada’ (‘Dada’). Adad Dada Dada Dada.” Donning an elaborate, painted paper mask, he then engaged reporters in a tragic dance, contorting his body while yelling loudly ‘Shpma Protback Beep!’.”

So that feels better to me, but could probably use more editing. (Perhaps the Onion chose scansion over humour smoothness scanning?)

The rest of the article was generally smooth, including such gems of description as:

“Dadaist leaders were even more strident than Helms, stressing the need for the elimination of not only art, but also of dada itself. “To be a Dadaist means to be against dada,” Arp said. “Dada equals anti-dada.” Urging full-scale rioting, the assembled Dadaists called for their own destruction, each of them alternately running into the audience to pelt those still on stage with tomatoes.”

Which I think strikes just the right level of description and quotations. It also shows an important point, that the ‘journalist’ can describe what the ‘person’ is saying, as long as it’s immediately followed or preceded by a quote.

The following almost works:

“Centered in Berlin, Paris and Zurich, the Dadaist movement was launched as a reaction of revulsion to the senseless butchery of World War I. “While the guns rumbled in the distance,” Arp said, “we had a dim premonition that power-mad gangsters would one day use art itself as a means of deadening men’s minds.” ”

I would put ‘senseless butchery’ in quotes. Perhaps the ‘journalist’ only wanted to put quotes around actual quotes said by dadaists?

“When told of Arp’s comments, Helms said he was “fairly certain” that he concurred.”

Let me know in the comments below other humorous articles you wish me to dissect!

😀

*See a later post that I will write about the theory of puns, and other forms of verbal warfare.

Some things I read and found useful while writing this article:

Writing Satire Is Harder Than You Think

This article wrote around the edges of what I was speaking to above:
http://www.nottheonion.com/howto.cfm

Some things I found not so useful (too general, more of a 101 instead of actually helping you write well):
http://www.wikihow.com/Write-Satire-About-Current-Events

I tried to find online manuals of style, but they all cost money or only talked about technical details about whether you said ‘one’ or ‘1’.
https://shopping.yahoo.com/9780312569846-yahoo-style-guide/
http://www.chicagomanualofstyle.org/home.html
https://en.wikipedia.org/wiki/Style_guide
https://en.wikipedia.org/wiki/AP_Stylebook

Chicago Manual of Style basics


https://www.apstylebook.com/

Less Conventional 4-Quadrant Diagrams: The Horsemen of the Elements

So, 4-Quadrant diagrams are very common in the ‘make-something-two-dimensional-from-something-one-dimensional-and-name-it-after-yourself-and-sell-a-million-business-books’ field.

This series will cover some less commonly used 4-Quadrant diagrams.

First, the Elements:

  Gas   Condensed
*-------*-------*
|       |       |
| Fire  | Earth |  'Dry'
|       |       |
*---------------*
|       |       |
| Air   | Water |  'Wet'
|       |       |
*-------*-------*

Now for the Four Horsemen:

Activity Level:
 Human    Biological
*---------------------*
|        |            |
| War    |Pestilence/ | Abundance
|        |Plague      |
*---------------------*
|        |            |
| Death  | Famine     |  Lack
|        |            |
*--------*------------*

And as a special treat for those watching my Gold Box series:

 Includes     Does not
  'Pool'      include 
  in the     'Pool' in
  Title:     the Title:
*----------*------------*
| Pool     | Curse of   |
| of       | the Azure  | No Teleporters
| Radiance | Bonds      |
*-----------------------*
| Pools    | Secret of  |
| of       | the Silver | Teleporters! 
| Darkness | Blades     |
*----------*------------*

Emphasis

So, how do you say the phrase:

“penguin!”

You can’t shout it, because that would be “PENGUIN”. You somehow have to give emphasis without being too loud all the way through.

Kind of like stacatto?

No, that’s more of an emphasized ‘P’enguin.

S says it feels more like the emphasis is on “pENGuin”.

Moisture Levels

Some different moisture levels, ranked in order.

Dry:

Dessicated
Bone Dry
Super Dry
Dry
Wit
Not Dry
Dampish

Slightly Moist:

Damp
Slightly Moist
Firedamp
Moistened

Moist:

Moist
Slightly Wet
Wettish
Humid
Steamy
Slick
Muggy
Glistening
Clammy
Dank
Oozy
Dewy

Wet:

Drizzly
Wet
Drippy

Very Wet:

Dripping
Irriguous

Apres Moi:

Rainy
Sodden
Water-logged
Deluge

Dinorama

“It is well known that ‘Diorama’ is a portmanteau of ‘Dinosaur’ and ‘Rama’, from a story about a model made to describe an unusual visit to places near lake Couchiching.”
“‘Portmanteau’ being a French portmanteau of ‘Door’ and ‘Coat’, similar to ‘Dovecoat’ (or ‘Dovecote’ as it is sometimes written).”