{"id":1826,"date":"2016-06-01T04:07:07","date_gmt":"2016-06-01T04:07:07","guid":{"rendered":"http:\/\/nayrb.org\/~blog\/?p=1826"},"modified":"2016-06-01T04:07:07","modified_gmt":"2016-06-01T04:07:07","slug":"planning-a-novel-i-basic-components","status":"publish","type":"post","link":"http:\/\/nayrb.org\/~blog\/2016\/06\/01\/planning-a-novel-i-basic-components\/","title":{"rendered":"Planning a Novel I: Basic Components"},"content":{"rendered":"<p>Those who have been following this blog for a while may be aware that I&#8217;ve been[1] putting together <a href=\"http:\/\/nayrb.org\/~blog\/category\/rollick\/\" target=\"_blank\">pieces of a novel<\/a>.<\/p>\n<p>So far, we know that the story mostly seems to be being told from the perspective of &#8216;Rollick&#8217;, a mostly retired &#8216;corp investigator&#8217;.  The other main character (so far) seems to be a mysterious woman who Rollick knows from previous investigations.  They seem to be on the trail of the &#8216;White Rose&#8217;, a mysterious killer or thief who leaves a parsnip carved into the shape of a rose at the scene of the crime.<\/p>\n<p>It seems that some sort of bracer had been stolen, but the larger issue is likely econo-political, with the possible building of a direct rail link from Japan to the mainland.<\/p>\n<p>Rollick&#8217;s motivations are pretty clear.  He wants to get to the bottom of this case.  He may suspect (or have been told off-screen) that his &#8216;corp investigator&#8217; background would come in handy.<\/p>\n<p>The mysterious woman seems to enjoy puzzles, which makes sense given her career as an investigator of note.<\/p>\n<p>The &#8216;White Rose&#8217; is a bit of an enigma.  Motivation unknown at this time.<\/p>\n<p>Genre is kind of futuristic &#8216;film noir&#8217;.  Location is Rollick&#8217;s office and Japan (so far).  &#8216;Transparent Plas-crete&#8217; and &#8216;shaped charges&#8217; are an indication of the technology level, but may be restricted to government usage. <\/p>\n<p>Known power groups seem to be Japan, France, and the &#8216;Eastern Bloc&#8217;.  (Rollick was a corp investigator for the Bloc, it is unknown whether that is the &#8216;Eastern Bloc&#8217;, but seems likely.)<\/p>\n<p>Protagonist seems to be Rollick, Antagonist the &#8216;White Rose&#8217;.<\/p>\n<p>Of the &#8216;Everyman\/Anti-hero\/Hero&#8217; scale, Rollick seems to be (in the tradition of hard-boiled film noir) a hero verging on anti-hero.  There&#8217;s no specific evidence of bravery or selflessness, but his special power is likely investigations[2].<\/p>\n<p>Next up, I&#8217;ll be looking at (<a href=\"https:\/\/neverendinggaming.wordpress.com\/2013\/08\/29\/fanexpo-2013-ty-templeton-how-to-plot-a-story-in-under-an-hour\/\" target=\"_blank\">also from Ty Templeton<\/a>):<\/p>\n<p>What is normal?<\/p>\n<p>What changes?<\/p>\n<p>What is the result?<\/p>\n<p>[1]Veeery sloooowly&#8230;<\/p>\n<p>[2]We had the privilege of taking Ty Templeton&#8217;s &#8216;Comic Book Boot Camp: Introduction to Comics&#8217; a few years ago, and Ty talked about the various types of heroes.  I believe you can find some of this here: <a href=\"https:\/\/neverendinggaming.wordpress.com\/2013\/08\/29\/fanexpo-2013-ty-templeton-how-to-plot-a-story-in-under-an-hour\/\" target=\"_blank\">https:\/\/neverendinggaming.wordpress.com\/2013\/08\/29\/fanexpo-2013-ty-templeton-how-to-plot-a-story-in-under-an-hour\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Those who have been following this blog for a while may be aware that I&#8217;ve been[1] putting together pieces of a novel. So far, we know that the story mostly seems to be being told from the perspective of &#8216;Rollick&#8217;, a mostly retired &#8216;corp investigator&#8217;. The other main character (so far) seems to be a &hellip; <a href=\"http:\/\/nayrb.org\/~blog\/2016\/06\/01\/planning-a-novel-i-basic-components\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Planning a Novel I: Basic Components<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[5,3,34],"tags":[],"_links":{"self":[{"href":"http:\/\/nayrb.org\/~blog\/wp-json\/wp\/v2\/posts\/1826"}],"collection":[{"href":"http:\/\/nayrb.org\/~blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/nayrb.org\/~blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/nayrb.org\/~blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/nayrb.org\/~blog\/wp-json\/wp\/v2\/comments?post=1826"}],"version-history":[{"count":1,"href":"http:\/\/nayrb.org\/~blog\/wp-json\/wp\/v2\/posts\/1826\/revisions"}],"predecessor-version":[{"id":1827,"href":"http:\/\/nayrb.org\/~blog\/wp-json\/wp\/v2\/posts\/1826\/revisions\/1827"}],"wp:attachment":[{"href":"http:\/\/nayrb.org\/~blog\/wp-json\/wp\/v2\/media?parent=1826"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/nayrb.org\/~blog\/wp-json\/wp\/v2\/categories?post=1826"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/nayrb.org\/~blog\/wp-json\/wp\/v2\/tags?post=1826"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}